使命 | MISSION Lee台戲致力以高質素的戲劇製作, 舉辦工作坊及外展至跨界別組織合作,去提升社區的藝術觸覺。 我們透過創作去製造機遇, 讓不同年齡、需要和使命的表演者和觀眾互相啟發及交流。 |
Leetle Stage seeks to elevate cultural appreciation in the community by creating high quality and relevant theatre productions, hosting acting and production workshops and outreaching in collaboration with organizations and professionals in multidisciplinary fields. We create opportunities to connect communities across different age, needs and purpose through our productions and events, in nurturing creativity among audience and performers. |
簡史 | History
由一群熱愛戲劇的港大舊生發起的 Lee台戲 , 於2014年正式成為註冊非謀利藝術團體。我們的成員在大學舍際比賽及戲劇藝術節中共製作超過20場演出。當中包括於2007-2009年度榮獲全場總冠軍、2010及2011分別奪得第一及第二名、2012-2013的最佳舞台效果、以及2015年的最佳導演、最佳編劇及全場總冠軍。我們自2015年起開始作社區公演。
我們的製作致力聯繫演藝業界和學界的力量。作為香港大學的舊生,我們在《黃克競有落》製作過程中在校園內舉辦一系列演技和幕後製作工作坊,務求培養更多劇場新血。在李國賢堂戲劇和歌詠隊的共同協作下,工作坊的成果得以在2015年西灣河文娛中心的公演中展現,並吸納超過600名觀眾入場欣賞。 在製作《小四囍》期間,我們團隊作為演講嘉賓,於李國賢堂的高桌晚宴中分享營運劇團的點滴。亦在Wait What 工作室的協辦下於2018年在香港文化中心劇場公演。 而在2020年11月疫情期間,《我要買山頂》有幸在國賢戲劇和何東夫人紀念堂的舊生和宿生協助下,在上環文娛中心上演三場。尾場更首度嘗試通達專場,為所有觀眾,包括視障人士提供粵語口述影像的專場。 於2023年,我們憑著《深夜劇團》再度回歸香港文化中心劇場,並首次以AB cast 的陣容各上演兩場。是次演出進行的公開招募,進一步連繫舊生及吸納新血,並本著服務各類型觀眾的精神,繼續提供粵語口述影像專場。 |
Founded by a group of theatre enthusiasts graduated from the University of Hong Kong, Leetle Stage is a registered not-for-profit art organization since 2014. After over 20 productions delivered by our members staged in inter-hall drama competitions and festivals (including Overall Champion in 2007-2009, 1st and 2nd runner-up in 2010 & 2011, best stage effect in 2012-2013, best director, best scriptwriter and Overall Champion in 2015), we premiered our productions in public theatres since 2015.
Our productions grew as we dedicated our cast and production team in bridging industry and academic professionals in the field. As guest alumni, we hosted a series of acting and production workshop in the University of Hong Kong and premiered When you go to Haking Wong (2015) at the Sai Wan Ho Civic Centre. Under collaboration with Simon K.Y.Lee Hall drama team and Lee Hall Choir, the shows received over 600 audiences. As guest speaker to High Table dinner of SKY Lee Hall, we conducted a sharing session for running The Petit Four (2018), which took stage in Studio Theatre of the Hong Kong Cultural Centre in collaboration with Wait What Studio. During the Covid restrictions in November 2020, we were able to perform three live shows in Sheung Wan Civic Centre with the help of Lee Hall drama team, alumni and current students of Lady Ho Tung Hall. The last show was our first attempt in providing audio-describe services to all audience including persons with visual-impaired. In 2023, we staged in Studio Theatre of the Hong Kong Cultural Centre again with Midnight in Theatre. During our open audition, we were able to broaden our team by connecting alumni and inviting new performers to produce our first AB cast shows. Within the 4 performances, half of the shows continued to serve with audio-description. |
製作團隊 Production team
劇團總監 梁宇威
Director Will Leung |
作為Lee台戲 的發起人和導演,我熱衷於把哲學和社會議題相關的演出帶上舞台。本人有超過十年演出相關經驗,並於2011年以香港的投訴文化為題首次執導。我對劇場的熱誠驅使我創立Lee台戲,並於2015年以追逐夢想為題,在首次公演得到超過500位觀眾支持。來年將進一步聯繫各社區及界別,並致力推動學術界和業界合作,為觀眾帶來更多高質素演出。
As founder and director of Leetle Stage, I am passionate in endeavoring and addressing philosophical and social issues in theatre productions. Having partake in theatre performances since 2008 as an actor, I premiered a production in 2011 as a director with concerned of complain culture in Hong Kong. My dedication to theatre drove me to found Leetle Stage and and directed our first public performances in 2015 under the theme of pursuing dreams, with a reception of over 500 audiences. I am committed to bring forth more quality productions across disciplines to different communities, especially in collaborating efforts from the industry and academia. 現職 Current position: 李國賢堂舊生會董事 Board of directors of Simon K.Y.Lee Hall Alumni Association |
副導演 楊澤銘
Assistant Director Samuel Yeung |
作為一個活躍的演員及文化工作者,我熱衷於以人性及社會議題促進交流討論的演藝創作。透過探索夢想/生活,愛/死亡,信任/愛等主題,我們在製作過程中得以擴闊視野,從而在舞台和人生中建構自我角色定位。我相信劇場參與者-不論是表演者或觀眾-都會在社會議題上找到共鳴點。我希望表演藝術可以提供一個讓各方發聲的舞台,確保倡導者得以聯繫,並鼓勵惠及社會各界的活動發生。
I have been an active performer and cultural workers for performances that initiate interactions and discussions regarding social issues and humanities. Through exploring themes such as work vs dream, love & death, trust & love, we construct our identities with widened perspectives in the production process. I believe theatre participants-performers and audiences alike- will find common ground on pressing social issues. By addressing the matters through performing arts, we will provide a stage for voices to be heard, ensure advocates to be united, and encourage actions to be taken. 往職 Past positions:
Lee 台戲 編劇及演員 | 無限傳說, 見一步行兩步製作,衝劇團 演員 Script write & cast of Leetle Stage |Cast of Legend Infinity, C.O.S.T. production, and RUSH theatre |
監製及演員 李子俊
Producer & Cast Alvin Li |
具備多年舞台表演及活動統籌經驗,曾參演「LEE台戲」製作《小四囍》及《我要買山頂》,亦將同時以監製及演員身份參與是次《深夜劇團》製作。每日除了應付銀行正職項目管理等工作外,同時間肩負活動統籌、婚禮司儀及導師等角色。深信「你的時間有限,不要為別人而活」,因此奉行「諗到即Go、唔准Say No!」,被「LEE台戲」的團隊精神和《深夜劇團》笑中有故事的劇本所吸引而擔起監製一職。
疫情期間讓人意識得到,「活在當下」和「珍惜眼前人」並不是口號,若然您有夢,請勇敢去追尋,讓夢想:「不只是夢、不限於想」! 「時間有限、可能無限」《深夜劇團》是您和我,亦是每一個人值得深思的一個故事。 With years of live performance and event planning experience, I encountered Leetle Stage by participating in the production of "The Petit Four" and "I wanna buy the Peak!". In the coming production "Midnight in Theatre", I am challenging myself as producer and cast at the same time. On top of my daily duties in project management in the banking sector, I am also a seasoned event planner, wedding emcee and coach. I believe in living for myself in a limited lifetime, and go with the motto "Go with my guts, never say No!". I am attracted by the team spirit of Leetle Stage and the humorous and inspiring story of "Midnight in Theatre", and decided to partake as a producer. During the pandemic, I realized "living in the moment" and "treasure your beloved" are not merely slogans; if you have a vision, be brave to seize it, and not just let Dreams be merely dreams. "Time is limited; Possibilities are boundless", Midnight in Theatre will be an inspiring story for everyone. 往職Past positions:
1983 Studio, 無限傳說 演員 Cast of 1983 Studio & Legend Infinity |
舞台監督 湯欣兒
Stage Manager Joyce Tong |
8歲開始以演員身分首次參與舞台劇,深受舞台魅力感染。在大學時期重拾興趣,開始接觸後台工。2018以演員身分加入LEE台戲大家庭,2020年《我要買山頂》擔任編劇/舞台監督。
我相信舞台的功能像一所學校。參與的每一位觀眾,演員,台前幕後都是被錄取的學生。他們能在這所學校自由享受,表達,學習及思考作品題材。 I first encountered theatre when I was eight years old in casting for a drama show, and was enchanted by the stage ever since then. I picked up my interest in back stage during my university years. In 2018 I joined Leetle Stage as a cast for "The Petit Four", and became script-write and stage manager for "I wanna buy the Peak" in 2020. I believe theatre works like a school, in which every participating audience, cast, and front to back stage are enrolled students. They can freely enjoy, express, learn and brainstorm upon the theme of the production in this institution. 往職Past positions:
何東劇社65週年公演, Happy prince劇團 演員 Cast of Lady Ho Tung Hall Drama Team 65th Anniversary Production, Happy Prince Theatre |